Abstract
Festivals and other events are often seen as important means for contributing to the positive image of a place and for increasing visitor numbers, for involving the local community and for creating job opportunities. Organising an event involves the temporary coordination of performers, an audience, volunteers, sponsors and other partners, and in the end an event is simultaneously produced and consumed. When the music has stopped or the actors have come off stage, when the audience has gone home and the premises have been cleared of rubbish, there might be few signs of an event having ever taken place. However, the value of an event is seen to extend beyond its immediate boundaries. This dissertation looks at event organising from a resources perspective. Which resources are engaged, and how do they contribute? Key questions that emerge concern the event’s connection to the place where it is held, how different actors are included or excluded and finally how the aesthetic aspects of an event attract resources. The study draws on observations of five cultural events and interviews with artistic directors, managers and collaboration partners.